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Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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GUBAIDULINA Seven Words. In croce. Kadenza. Et exspecto

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On Artist Credits Seven Words. But in the major work on the record, the half-hour Seven Wordscrocf sentences spoken by Jesus on the cross are graphically, even fervently implied. Gramophone’s expert reviews easier than ever before. The work’s ending is quiet and somber. Genre Chamber Music Classical.

Jazz Latin New Age. Romantic Evening Sex All Themes. Sofia Gubaidulina, Galina Ustvolskaya: Share on facebook twitter tumblr.


AllMusic relies heavily on JavaScript. Seven Words; Silenzio; In Croce. The all-time greats Read about the artists who changed the world of classical music. Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in Streams Videos All Posts.

One of gubaidlina many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the gjbaidulina hall of the Moscow Conservatory.

Both instruments center their activities on the note E. Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register. Drinking Hanging Out In Love. Chamber Music with Double Bass.

SOFIA GUBAIDULINA : In Croce – Works for Double Bass – CD – WERGO – Forced Exposure

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Please enable JavaScript in your browser to use the site fully. After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E.


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Chamber Music from Russia. Et exspecto Spanish performers in spiritual utterances from Gubaidulina View record and artist details Record and Artist Details.

Sofia Gubaidulina

The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one. With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing of lines and textures and so on — which are essentially private creative stimuli for the composer.

Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Sexy Trippy All Moods. In Croce; Seven Last Words. This is a remarkable, compelling work.

As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage. In croce; Quaternion; Ten Preludes.